Asuha and Ganz are moving to Singapore.
Not to slow down.
To expand.

Asia-Pacific is next and weโ€™re marking it the only way that makes sense:๐Ÿฏ๐Ÿฌ ๐—ฑ๐—ฎ๐˜†๐˜€. ๐Ÿฏ๐Ÿฌ ๐—ฉ๐—™๐—ซ ๐—บ๐—ผ๐˜ƒ๐—ถ๐—ฒ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐˜€๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐˜„๐—ฒ ๐—น๐—ผ๐˜ƒ๐—ฒ๐—ฑ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ป๐˜๐—น๐˜†.Some of them even had their composites done by former students of Ganz and Andrew.

๐——๐—ฎ๐˜† ๐Ÿฐ: ๐—ง๐—ต๐—ฒ ๐—•๐—ผ๐˜†๐˜€.
Filmed in Toronto.

๐——๐—ถ๐—ฑ ๐˜†๐—ผ๐˜‚ ๐—ธ๐—ป๐—ผ๐˜„?
For all its chaos, The Boys is one of the most meticulously crafted shows on television.
The gore is calculated.
The destruction is choreographed.
Even the absurd feels deliberate because it is.

Thatโ€™s the power of good VFX:
It doesnโ€™t just add spectacle.
It makes you forget youโ€™re looking at work.

And the artists who pull it off?
Some of them came from classrooms just like ours.
Learning that โ€œbelievableโ€ isnโ€™t about clean frames itโ€™s about making the impossible too fun to question.

๐—Ÿ๐—ฒ๐˜€๐˜€๐—ผ๐—ป:
VFX isnโ€™t there to behave.
Sometimes it needs to be loud, messy, and absolutely unforgettable.