Ganz and Asuha are moving to Singapore.
Not to slow down.
To expand.

Asia-Pacific is next and weโ€™re marking it the only way that makes sense:
๐Ÿฏ๐Ÿฌ ๐—ฑ๐—ฎ๐˜†๐˜€. ๐Ÿฏ๐Ÿฌ ๐—ฉ๐—™๐—ซ ๐—บ๐—ผ๐˜ƒ๐—ถ๐—ฒ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐˜€๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐˜„๐—ฒ ๐—น๐—ผ๐˜ƒ๐—ฒ๐—ฑ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ป๐˜๐—น๐˜†.
Some of them even had their composites done by former students of Andrew and Ganz.

๐——๐—ฎ๐˜†โ€ฏ๐Ÿฑ: ๐—ฆ๐—ตล๐—ด๐˜‚๐—ป (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฐ ๐˜€๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€).
Filmed in British Columbia, Canada, including Port Moody, where Alpha Chromatica is based.

๐——๐—ถ๐—ฑ ๐˜†๐—ผ๐˜‚ ๐—ธ๐—ป๐—ผ๐˜„?Though itโ€™s set in feudal Japan, much of Shลgun was built in remote Vancouver locales.
CG extensions created castles, crowded streets, and towering landscapes, all layered over local filming.
What you see onscreen isnโ€™t just production design, itโ€™s Canadian VFX invisible in service of immersion.

Shลgun isnโ€™t just historical drama.It shows us that the most unfamiliar worlds can feel livedโ€‘in and honest, if you build them meticulously, layer by layer.

And many of the artists who built that world?
They once sat where you are now.
Learning to make invisible work that feels authentic.

๐—Ÿ๐—ฒ๐˜€๐˜€๐—ผ๐—ป:
The strongest VFX doesnโ€™t announce itself.
It secretly transports you, without letting you know it wasnโ€™t all real.