Ganz and Asuha are moving back to Singapore.
Not to slow down.
To expand.

Asia-Pacific is next and weโ€™re marking it the only way that makes sense:
๐Ÿฏ๐Ÿฌ ๐—ฑ๐—ฎ๐˜†๐˜€. ๐Ÿฏ๐Ÿฌ ๐—ฉ๐—™๐—ซ ๐—บ๐—ผ๐˜ƒ๐—ถ๐—ฒ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐˜€๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐˜„๐—ฒ ๐—น๐—ผ๐˜ƒ๐—ฒ๐—ฑ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ป๐˜๐—น๐˜†.
Some of them even had their composites done by former students
of Andrew and Ganz.

๐——๐—ฎ๐˜† ๐Ÿณ: ๐—ง๐—ต๐—ฒ ๐—Ÿ๐—ฎ๐˜€๐˜ ๐—ผ๐—ณ ๐—จ๐˜€ (๐—ฆ๐—ฒ๐—ฎ๐˜€๐—ผ๐—ป ๐Ÿฎ)
Filmed across ๐—•๐—ฟ๐—ถ๐˜๐—ถ๐˜€๐—ต ๐—–๐—ผ๐—น๐˜‚๐—บ๐—ฏ๐—ถ๐—ฎ: ๐—ฑ๐—ผ๐˜„๐—ป๐˜๐—ผ๐˜„๐—ป ๐—ฉ๐—ฎ๐—ป๐—ฐ๐—ผ๐˜‚๐˜ƒ๐—ฒ๐—ฟ, ๐— ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป, ๐—ก๐—ฎ๐—ป๐—ฎ๐—ถ๐—บ๐—ผ, ๐—ž๐—ฎ๐—บ๐—น๐—ผ๐—ผ๐—ฝ๐˜€, ๐—ฎ๐—ป๐—ฑ ๐—บ๐—ผ๐—ฟ๐—ฒ

๐——๐—ถ๐—ฑ ๐˜†๐—ผ๐˜‚ ๐—ธ๐—ป๐—ผ๐˜„?
In Episodeโ€ฏ2, โ€œThrough the Valley,โ€ Wฤ“tฤ FX built over 600 VFX shots featuring the iconic Jackson siege, massive hordes of infected, harsh weather, collapsing buildings

They built a two-block Jackson set in Britannia Beach, then let it burn.
All the rest, ruined buildings, ashen streets, distant mountains, were added digitally.

Because The Last of Us isnโ€™t about spectacle.
Itโ€™s about tiny betrayals of memory,
a street you once knew, now buried in moss.A house that feels familiar, but only in the worst way.

And the artists who crafted that decay?
Theyโ€™ve learned to make ruin feel real enough to haunt you.

๐—Ÿ๐—ฒ๐˜€๐˜€๐—ผ๐—ป:
Great VFX doesnโ€™t just build worlds.
It breaks them beautifully.