Ganz and Asuha are moving back to Singapore.
Not to slow down.
To expand.

Asia-Pacific is next and we’re marking it the only way that makes sense:𝟯𝟬 𝗱𝗮𝘆𝘀. 𝟯𝟬 𝗩𝗙𝗫 𝗺𝗼𝘃𝗶𝗲𝘀 𝗮𝗻𝗱 𝘀𝗲𝗿𝗶𝗲𝘀 𝘄𝗲 𝗹𝗼𝘃𝗲𝗱 𝗿𝗲𝗰𝗲𝗻𝘁𝗹𝘆.Some of them even had their composites done by former students of Andrew and Ganz.

𝗗𝗮𝘆 𝟭𝟭: 𝗔𝘃𝗮𝘁𝗮𝗿: 𝗧𝗵𝗲 𝗟𝗮𝘀𝘁 𝗔𝗶𝗿𝗯𝗲𝗻𝗱𝗲𝗿 (𝟮𝟬𝟮𝟰 𝘀𝗲𝗿𝗶𝗲𝘀)
Filmed across Metro Vancouver, Langley’s Jamestown set and The Farm on 264, plus Robert Burnaby Park with a major LED stage build in Burnaby.

𝗗𝗶𝗱 𝘆𝗼𝘂 𝗸𝗻𝗼𝘄?
The team mixed real B.C. landscapes with digital extensions and a virtual-production LED volume, then handed hundreds of shots to Canadian vendors likeImage Engine Design Inc.

The “bending” wasn’t random CG; it followed a designed movement language, open, circular palms for air; heavy, grounded mechanics for earth; sharper, linear strikes for fire; fluid arcs for water, so choreography led the sims, not the other way around.

Dirt under boots.
B.C. forests for spirit-world sequences.
LEDs for horizons.
Compositing to erase the seams.

And the artists who made it invisible?
Many learned their craft in rooms just like ours, Vancouver classrooms, late nights, shot notes, do-overs until “one day” turned into delivered.

𝗟𝗲𝘀𝘀𝗼𝗻:
When choreography leads and pixels follow,VFX stops looking like effects and starts reading as worldbuilding.