Asuha and Ganz are moving back to Singapore.
Not to slow down.
To expand.

Asia-Pacific is next and weโ€™re marking it the only way that makes sense:๐Ÿฏ๐Ÿฌ ๐—ฑ๐—ฎ๐˜†๐˜€. ๐Ÿฏ๐Ÿฌ ๐—ฉ๐—™๐—ซ ๐—บ๐—ผ๐˜ƒ๐—ถ๐—ฒ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐˜€๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐˜„๐—ฒ ๐—น๐—ผ๐˜ƒ๐—ฒ๐—ฑ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ป๐˜๐—น๐˜†.Some of them even had their composites done by former students of Ganz and Andrew.

๐——๐—ฎ๐˜† ๐Ÿญ๐Ÿฎ: ๐—ฆ๐—ฝ๐—ถ๐—ฑ๐—ฒ๐—ฟ-๐— ๐—ฎ๐—ป: ๐—”๐—ฐ๐—ฟ๐—ผ๐˜€๐˜€ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฝ๐—ถ๐—ฑ๐—ฒ๐—ฟ-๐—ฉ๐—ฒ๐—ฟ๐˜€๐—ฒ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)
Animated and comped by Sony Pictures Imageworks, headquartered in downtown Vancouver, B.C. a Canadian studio turning comic-book language into pipeline.

๐——๐—ถ๐—ฑ ๐˜†๐—ผ๐˜‚ ๐—ธ๐—ป๐—ผ๐˜„?
This sequel sprawls across six universes and ~240 characters, built by a crew topping 1,000, each world with its own visual grammar.

Gwenโ€™s Earth-65 even behaves like a mood ring: watercolor palettes shift with her emotions.

Under the hood it isnโ€™t โ€œfiltersโ€; itโ€™s craft: ink-line tools glued to 3D geometry, halftones, cross-hatching, and ruthless shot-by-shot compositing to keep style readable in motion.

๐—Ÿ๐—ฒ๐˜€๐˜€๐—ผ๐—ป:
When style is baked into the pipeline, not sprinkled in post, the look stops being a gimmick and starts being the story.