Day 14 - Star Trek - Strange New Worlds - Season 3

Asuha and Ganz are moving back to Singapore. Not to slow down.To expand.

Asia-Pacific is next and we’re marking it the only way that makes sense:𝟯𝟬 𝗱𝗮𝘆𝘀. 𝟯𝟬 𝗩𝗙𝗫 𝗺𝗼𝘃𝗶𝗲𝘀 𝗮𝗻𝗱 𝘀𝗲𝗿𝗶𝗲𝘀 𝘄𝗲 𝗹𝗼𝘃𝗲𝗱 𝗿𝗲𝗰𝗲𝗻𝘁𝗹𝘆.Some of them even had their composites done by former students of Ganz and Andrew.

𝗗𝗮𝘆 𝟭𝟰: 𝗦𝘁𝗮𝗿 𝗧𝗿𝗲𝗸 - 𝗦𝘁𝗿𝗮𝗻𝗴𝗲 𝗡𝗲𝘄 𝗪𝗼𝗿𝗹𝗱𝘀 (𝗦𝗲𝗮𝘀𝗼𝗻 𝟯)Shot at 𝗖𝗕𝗦 𝗦𝘁𝗮𝗴𝗲𝘀 𝗖𝗮𝗻𝗮𝗱𝗮in Mississauga (Toronto), with key exteriors around the GTA, Ontario Place, Parkwood Estate, York University.

𝗗𝗮𝘆 𝟭𝟰: 𝗦𝘁𝗮𝗿 𝗧𝗿𝗲𝗸 - 𝗦𝘁𝗿𝗮𝗻𝗴𝗲 𝗡𝗲𝘄 𝗪𝗼𝗿𝗹𝗱𝘀 (𝗦𝗲𝗮𝘀𝗼𝗻 𝟯)
Shot at CBS Stages Canadian Mississauga (Toronto), with key exteriors around the GTA, Ontario Place, Parkwood Estate, York University.

𝗗𝗶𝗱 𝘆𝗼𝘂 𝗸𝗻𝗼𝘄?
The show was built for virtual production from day one, shooting on Pixomondo’s Toronto LED volume: a 270° horseshoe, ~70×30 ft, Unreal Engine on the brain bar, developed with William F. White, so casts perform against real, reactive horizons instead of green.

Under the hood: 1,800 ROE BP2V2 wall panels + 650 CB5 ceiling panels driven by Brompton processors, designed to put true light into the lens and leave post to extend, not invent.

You feel it on screen: practical sets, Toronto LEDs for sky and bounce, comps to erase seams, episodic sci-fi that looks cinema because the photons are real.

𝗟𝗲𝘀𝘀𝗼𝗻:
Light it for real.
Let the wall take you off-world.