Asuha and Ganz are moving back to Singapore.
Not to slow down.
To expand.
Asia-Pacific is next and weโre marking it the only way that makes sense:
๐ฏ๐ฌ ๐ฑ๐ฎ๐๐. ๐ฏ๐ฌ ๐ฉ๐๐ซ ๐บ๐ผ๐๐ถ๐ฒ๐ ๐ฎ๐ป๐ฑ ๐๐ฒ๐ฟ๐ถ๐ฒ๐ ๐๐ฒ ๐น๐ผ๐๐ฒ๐ฑ ๐ฟ๐ฒ๐ฐ๐ฒ๐ป๐๐น๐.
Some of them even had their composites done by former students of Ganz and Andrew.
๐๐ฎ๐ ๐ญ๐ด: ๐ฃ๐ฒ๐ฟ๐ฐ๐ ๐๐ฎ๐ฐ๐ธ๐๐ผ๐ป ๐ฎ๐ป๐ฑ ๐๐ต๐ฒ ๐ข๐น๐๐บ๐ฝ๐ถ๐ฎ๐ป๐ (๐ฎ๐ฌ๐ฎ๐ฏโ๐ฎ๐ฐ)
Shot in and around ๐ฉ๐ฎ๐ป๐ฐ๐ผ๐๐๐ฒ๐ฟ, ๐.๐.., with the show pioneering ๐๐๐ โ๐ ๐ป๐ฒ๐ ๐ฆ๐๐ฎ๐ด๐ฒ๐๐ฟ๐ฎ๐ณ๐ ๐๐๐ ๐๐ผ๐น๐๐บ๐ฒ ๐ถ๐ป ๐ฉ๐ฎ๐ป๐ฐ๐ผ๐๐๐ฒ๐ฟ, about a 95-foot wall inside a 20,000-sq-ft facility. Roughly 30% of the season was captured on the volume; the crew โnever leftโ the Vancouver area.
๐๐ถ๐ฑ ๐๐ผ๐ ๐ธ๐ป๐ผ๐?
First series to use ILMโs Vancouver StageCraft volume.
DP Pierre Gill tested 50+ lenses before committing to shoot so the LED plates would light actors for real (not just as backgrounds).
Sets and locations ranged from Mammoth Studios (Burnaby) to city landmarks, then extended digitally to sell myth at TV pace.
๐๐ฒ๐๐๐ผ๐ป:
Build the horizon you need.
Shoot it like it was always there.
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