Asuha and Ganz are moving back to Singapore.
Not to slow down.
To expand.
Asia-Pacific is next and weโre marking it the only way that makes sense:
๐ฏ๐ฌ ๐ฑ๐ฎ๐๐. ๐ฏ๐ฌ ๐ฉ๐๐ซ ๐บ๐ผ๐๐ถ๐ฒ๐ ๐ฎ๐ป๐ฑ ๐๐ฒ๐ฟ๐ถ๐ฒ๐ ๐๐ฒ ๐น๐ผ๐๐ฒ๐ฑ ๐ฟ๐ฒ๐ฐ๐ฒ๐ป๐๐น๐.
Some of them even had their composites done by former students of Ganz and Andrew.
๐๐ฎ๐ ๐ฎ๐ฌ: ๐๐ผ๐ฑ๐๐ถ๐น๐น๐ฎ ๐
๐๐ผ๐ป๐ด: ๐ง๐ต๐ฒ ๐ก๐ฒ๐ ๐๐บ๐ฝ๐ถ๐ฟ๐ฒ (๐ฎ๐ฌ๐ฎ๐ฐ)
Scanline VFX Vancouver was a frontline studio on the latest Monsterverse entry, delivering entire tentpole sequences: the ๐ช๐ฎ๐ฟ๐-๐๐ผ๐ด๐ ๐ถ๐ป ๐๐ต๐ฒ ๐ผ๐ฝ๐ฒ๐ป๐ถ๐ป๐ด, ๐๐ต๐ฒ ๐๐ด๐๐ฝ๐ ๐ฏ๐ฎ๐๐๐น๐ฒ ๐ฏ๐ฒ๐๐๐ฒ๐ฒ๐ป ๐๐ผ๐ป๐ด ๐ฎ๐ป๐ฑ ๐๐ผ๐ฑ๐๐ถ๐น๐น๐ฎ, and the ๐ณ๐ถ๐ป๐ฎ๐น๐ฒ ๐ถ๐ป ๐ฅ๐ถ๐ผ ๐ฑ๐ฒ ๐๐ฎ๐ป๐ฒ๐ถ๐ฟ๐ผ.
๐๐ถ๐ฑ ๐๐ผ๐ ๐ธ๐ป๐ผ๐?
Scanline has been part of the Monsterverse since Godzilla vs. Kong (2021), steadily scaling up its contribution.
The Vancouver team owns some of the franchiseโs heaviest environment + destruction work, where photoreal debris and cities anchor the kaiju spectacle.
What looks like pure fantasy rests on their R&D pipeline: environments, FX, comp delivered end-to-end from Canada.
๐๐ฒ๐๐๐ผ๐ป:
Scale isnโt just big creatures.
Itโs cities that break believably..
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