Ganz and Asuha are moving back to Singapore.
Not to slow down.
To expand.

Asia-Pacific is next and weโ€™re marking it the only way that makes sense:
๐Ÿฏ๐Ÿฌ ๐—ฑ๐—ฎ๐˜†๐˜€. ๐Ÿฏ๐Ÿฌ ๐—ฉ๐—™๐—ซ ๐—บ๐—ผ๐˜ƒ๐—ถ๐—ฒ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐˜€๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐˜„๐—ฒ ๐—น๐—ผ๐˜ƒ๐—ฒ๐—ฑ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ป๐˜๐—น๐˜†.
Some of them even had their composites done by former students of Andrew and Ganz.

๐——๐—ฎ๐˜† ๐Ÿฎ๐Ÿญ: ๐—ง๐—ต๐—ฒ ๐—ก๐—ถ๐—ด๐—ต๐˜ ๐—”๐—ด๐—ฒ๐—ป๐˜ - ๐—ฆ๐—ฒ๐—ฎ๐˜€๐—ผ๐—ป ๐Ÿฎ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ)
Ingenuity Studios served as the primary VFX vendor for Season 2, delivering nearly 491 shots, including composited props, set extensions, atmospheric FX, and dramatic CG elements.

๐——๐—ถ๐—ฑ ๐˜†๐—ผ๐˜‚ ๐—ธ๐—ป๐—ผ๐˜„?
They digitally reconstructed and extended an industrial building in Episodeโ€ฏ107 using a mix of CG and digital matte painting.

In Episodeโ€ฏ103, they created a fully CG tireโ€‘catching net for a highโ€‘stakes pursuit scene.

Episodeโ€ฏ208 features a toxic glass vial smashing and triggering realistic blistering on the skin, CG vial, simulated liquid, breaking glass, and reactive skin were all Ingenuityโ€™s work.

For Episodeโ€ฏ209, smoke and gas FX started small but expanded to over 100 shots, intensifying a sceneโ€™s emotional impact.

๐—Ÿ๐—ฒ๐˜€๐˜€๐—ผ๐—ป:
Build tension in silhouette.
Let effects whisper, not scream.