Asuha and Ganz are moving back to Singapore.
Not to slow down.
To expand.

Asia-Pacific is next and weโ€™re marking it the only way that makes sense:
๐Ÿฏ๐Ÿฌ ๐—ฑ๐—ฎ๐˜†๐˜€. ๐Ÿฏ๐Ÿฌ ๐—ฉ๐—™๐—ซ ๐—บ๐—ผ๐˜ƒ๐—ถ๐—ฒ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐˜€๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐˜„๐—ฒ ๐—น๐—ผ๐˜ƒ๐—ฒ๐—ฑ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ป๐˜๐—น๐˜†.
Some of them even had their composites done by former students of Ganz and Andrew.

๐——๐—ฎ๐˜† ๐Ÿฎ๐Ÿฎ: ๐—ฆ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ฒ - ๐—ฆ๐—ฒ๐—ฎ๐˜€๐—ผ๐—ป ๐Ÿฎ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ)
Industrial Light & Magic played a key role in the show's continued visual storytelling, building on the eerie, clinical world that became the show's hallmark.

๐——๐—ถ๐—ฑ ๐˜†๐—ผ๐˜‚ ๐—ธ๐—ป๐—ผ๐˜„?
ILMโ€™s Vancouver facility, now housed in a brand-new 40,000โ€ฏsqโ€ฏft studio in The Stack, has contributed to VFX for Severance, alongside big names like Stranger Things and The Sandman, bringing Canadian-made effects to globally recognized series.

The office is now ILMโ€™s largest worldwide (over 900 employees) and was built to support high-volume projects with top-tier talent, supported by BCโ€™s increased production tax credit.

๐—Ÿ๐—ฒ๐˜€๐˜€๐—ผ๐—ป:
Worlds arenโ€™t just imagined.
Theyโ€™re engineered into existence.