Ganz and Asuha are moving back to Singapore.
Not to slow down.
To expand.
Asia-Pacific is next and weโre marking it the only way that makes sense:
๐ฏ๐ฌ ๐ฑ๐ฎ๐๐. ๐ฏ๐ฌ ๐ฉ๐๐ซ ๐บ๐ผ๐๐ถ๐ฒ๐ ๐ฎ๐ป๐ฑ ๐๐ฒ๐ฟ๐ถ๐ฒ๐ ๐๐ฒ ๐น๐ผ๐๐ฒ๐ฑ ๐ฟ๐ฒ๐ฐ๐ฒ๐ป๐๐น๐.
Some of them even had their composites done by former students of Andrew and Ganz.
๐๐ฎ๐ ๐ฎ๐ฑ: ๐๐ฎ๐ฟ๐ฟ๐-๐ข๐ป (๐ฎ๐ฌ๐ฎ๐ฐ)
A sharp buddy comedy about two unlikely travel companions whose misadventures force them to confront what they really carry, not just luggage. Part laughs, part heart, all chaos.
๐๐ถ๐ฑ ๐๐ผ๐ ๐ธ๐ป๐ผ๐?
During Carry-Onโs production, Cantina Creative and UPP worked together on the filmโs complex travel-montages: seamless transitions between modes of transport (air, road, sea) were created by stitching real location plates with digital matte extensions. The goal was to make every scene feel like you never left the story.
They filmed in a real airport, not just sets, Taron Egerton (as the TSA agent) and Sofia Carsonโs chase scenes actually used operational terminals for certain shots, dramatizing the tension by combining real architecture and live crowds.
๐๐ฒ๐๐๐ผ๐ป:
Airports donโt stop for a chase.
Thatโs why VFX clears the terminal without you ever noticing.
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