Chroma 0315
I decided to dig even deeper into this rabbit hole of machine learning. You know that moment when you’re about to test a new tool, and there’s that electric hum in the air? Yeah, that’s exactly how it felt.
Take a look at these images : 1️⃣ Top: That's the original footage, one of the many new green screen footage co-founder Andrew supervised on set. Read about his experience here : https://lnkd.in/gc7zSv5k
2️⃣ Middle: Using a machine learning, I extracted an alpha from the footage
3️⃣ Bottom: Using a machine learning, I was able to create this normal map.
Now, I’ve gotta admit, this part felt like unlocking a new superpower. With the normal map, I could manipulate the light, play with the shadows, and maybe bend the rules of physics just enough to make the scene pop.
While this isn't yet a core part of our workflow, I’ll continue teaching the traditional methods at Alpha Chromatica Education (ACE). Why? Because mastering the fundamentals isn't optional - it’s essential.
I believe that a solid grounding in the basics allows my students to push boundaries and incorporate these new technologies in ways that actually make sense, not just because they're trendy.
I am all about experimentation. I’ll mess up, I’ll iterate, I’ll get my hands dirt and yeah, sometimes, I’ll break things. But that’s where the real fun begins, isn’t it?
Also early AI was developed to play chess. Not to win, but to learn strategy, to think a few moves ahead. That’s exactly what I am doing with compositing. I am not replacing the artistry. I am looking to see how AI can shift the light in a way that the old techniques never could, adding depth and nuance without losing that human touch.
I am not just using AI because it’s there. I am using it because it pushes me to grow. I am using it to challenge what’s possible in the field of VFX education.
One of my ethos at Alpha Chromatica is to never settle for "the way things have always been done." We’re here to push the limits, break the rules, and see what happens when you color outside the lines.
Compositing isn’t skill to me, it’s an art. And if you’re not having fun with it, well, you’re doing it wrong you silly sausages!