In Which the Author Made Up MAX

In Which the Author Made Up MAX

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๐—œ๐—ป ๐—ช๐—ต๐—ถ๐—ฐ๐—ต ๐˜๐—ต๐—ฒ ๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ ๐— ๐—ฎ๐—ฑ๐—ฒ ๐—จ๐—ฝ ๐— ๐—”๐—ซ

In 2014, I made up Canadaโ€™s first full-time, year-long compositing program after seeing over 90% of my VFX students get hired for comp.

I made up the Four Pillars of Compositing, roto, paint, key, and integration to create 2D generalists who masquerade as compositors. A lot of them knew prep work inside out and became incredibly good at it. And that translated directly into their comp work.

I made up the Six Realities of Compositing (thereโ€™s a secret seventh) to explain how we see, imagine, photograph, interpret, expect, and approximate everything in a shot.

I made up Canadaโ€™s first full-time remote compositing program in 2023 to cut the fat and make high-level training more accessible.

And now, in 2025, I made up ๐— ๐—”๐—ซ.

๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฒ๐—ฑ ๐—ฉ๐—™๐—ซ.

AI isnโ€™t coming. ๐—œ๐˜โ€™๐˜€ ๐—ฎ๐—น๐—ฟ๐—ฒ๐—ฎ๐—ฑ๐˜† ๐—ฐ๐—ต๐—ฎ๐—ป๐—ด๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐˜„๐—ฎ๐˜† ๐˜„๐—ฒ ๐˜„๐—ผ๐—ฟ๐—ธ. MAX is how we train for it.

Weโ€™re using AI to eliminate ๐˜๐—ต๐—ฒ ๐˜€๐—น๐—ผ๐˜„๐—ฒ๐˜€๐˜, ๐—บ๐—ผ๐˜€๐˜ ๐˜๐—ฒ๐—ฑ๐—ถ๐—ผ๐˜‚๐˜€ ๐—ฝ๐—ฎ๐—ฟ๐˜๐˜€ ๐—ผ๐—ณ ๐—ฐ๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ถ๐˜๐—ถ๐—ป๐—ด, the tasks that eat up hours without adding anything to the final image.

We want to iterate faster ๐—ป๐—ผ๐˜ ๐—ท๐˜‚๐˜€๐˜ ๐˜๐—ผ ๐˜€๐—ฎ๐˜ƒ๐—ฒ ๐˜๐—ถ๐—บ๐—ฒ, ๐—ฏ๐˜‚๐˜ ๐˜๐—ผ ๐—ฝ๐˜‚๐˜€๐—ต ๐˜€๐—ต๐—ผ๐˜๐˜€ ๐—ณ๐˜‚๐—ฟ๐˜๐—ต๐—ฒ๐—ฟ. To refine, experiment, and improve without the traditional bottlenecks.

๐—ช๐—ฒโ€™๐—ฟ๐—ฒ ๐—ฒ๐˜ƒ๐—ผ๐—น๐˜ƒ๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐˜„๐—ฎ๐˜† ๐—ผ๐˜‚๐—ฟ ๐˜€๐˜๐˜‚๐—ฑ๐—ฒ๐—ป๐˜๐˜€ ๐˜„๐—ผ๐—ฟ๐—ธ.

This is where VFX education is heading.

And once again, ๐˜„๐—ฒ ๐—บ๐—ฎ๐—ฑ๐—ฒ ๐—ถ๐˜ ๐˜‚๐—ฝ.